Blog · Restoration

SAWT V6: the pauses fall silent

A century of recitation survives on tape, in echoing halls and as 32 kbps uploads. SAWT V6 brings it back at 48 kHz without changing a syllable, and lets the silence between ayat be silent again.

Listen to an old recording of a beloved reciter and you hear two things at once: the recitation, and everything that happened to it. The hiss of a cassette copied many times. The hall the microphone stood in. The upload that kept only what lies below 8 kHz. Between the ayat, where the reciter breathes, the damage is all there is to hear.

SAWT exists to take that away and leave the recitation exactly as it was. Not a cleaner imitation of it: the same voice, the same words, the same melody, in full 48 kHz. SAWT V6 is the first version built around that job from the start, and it is the one we recommend.

3.89DistillMOS on 500 archive recitations, from 2.74
-74dBFSmedian background in the pauses, from -36
11%of voiced frames move half a semitone; Sidon moves 20%
74×real time with V6 Flash on one RTX 4090

Hear it first

Four ten-second archive excerpts, before and after, on one timeline. Switch while it plays to hear the same instant both ways. Headphones help, and the pauses are where to listen.

SAWT V6 Pro · restoration
Ta-Ha (20)

A good copy with a constant hiss under it. The pauses fall from -28 to -85 dBFS; quality score 2.71 in, 3.77 out.

0:00 / 0:10

Switch while it plays to hear the same instant, before and after. Headphones help. More on the listening page

Silence is part of the recitation

Earlier restorers, ours included, cleaned the voice well and then let the old room creep back into every pause. V6 adds a pause gate: wherever the reciter is silent, the generator stops looking at the damaged recording and draws only from what it knows clean recitation sounds like. The median background in the pauses falls from -36 dBFS in the recordings to -74 dBFS. SAWT V5 Pro reached -56.

Spectrograms of three archive clips: damaged input, SAWT V6 Pro and SAWT V5 Pro
Three archive clips, 0 to 24 kHz. Left, the recording; middle, SAWT V6 Pro; right, SAWT V5 Pro. Look at the dark columns where the reciter pauses, and at the top half of the first row, which the upload had thrown away.
A restorer that sounds beautiful but moves the melody has changed the recitation. We measure that, not only how clean it sounds.

The melody stays where the reciter put it

Some of the strongest open restorers rebuild speech from scratch out of what a speech model heard, and invent the pitch along the way. On recitation that is the maqam itself. With SAWT V6 Pro only 11% of voiced frames move more than half a semitone from the recording. Sidon, the best open restorer we tested, moves 20%.

The reason is the anchor. SAWT reads the damaged recording with Meta's omniASR, a recognition encoder trained on more than 1,600 languages. A model that knows what was said is exactly what a restorer must not overrule. A 351M flow-matching transformer then renders 48 kHz sound under that reading, in 56-second windows long enough to hold a whole ayah and the pauses around it.

SAWT V6 pipeline: the damaged recording feeds an omniASR anchor and a DAC-VAE latent; a flow-matching transformer renders the restored latent, decoded at 48 kHz
Sixteen sampling steps, each blending three predictions: the full one, one without the anchor that guidance pushes away from, and one that cannot see the damaged recording, which takes over in the pauses.

Next to every open restorer we measured

The same 120 archive recitations through each system's published recipe, levelled to the input. SAWT V6 Pro has the highest predicted quality and among the quietest pauses.

SystemDistillMOSPause floor
SAWT V6 Pro 3.89 -78.6 dBFS
Sidon 3.81 -66.4 dBFS
Resemble Enhance 3.72 -82.6 dBFS
SGMSE+ (EARS-WHAM) 3.43 -55.9 dBFS
LLaSE-G1 3.34 -62.1 dBFS
VoiceFixer 3.25 -60.8 dBFS

Quality predictors miss things a listener hears at once, in both directions. The numbers point the way; the listening page is the real test.

Two models: Pro and Flash

47 hours, already restored

Alongside the models we released 47 hours of restored recitation, including a complete mushaf restored from an 11 kHz copy. Everything is free for non-commercial use under the SAWT License 2.1: individuals, mosques, schools, charities, archives and researchers. Audio restored with SAWT should say so: "Restored with SAWT by Quran-Lab".

SAWT means voice. May it carry these recitations to many who have not yet heard them clearly.

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